Showing posts with label object. Show all posts
Showing posts with label object. Show all posts

Wednesday, 21 August 2013

Edible

^MeMeMeMe Totems, Glazed Porcelain

As far as I'm concerned there's no point in making anything that won't make you want to eat it just by looking at it. Beauty is great and everything, but I don't think that anything can beat something that is totally irresistible, stuff that is so completely luscious you just want to shove as much of it in your mouth as you possibly can, or lick it like mad like it’s a huge, ice cold, five scoop strawberry ice bonanza. Most food looks like crap and does anything but make you want to eat it. It’s frankly got nothing to do with whether you can actually eat something or not. It’s all about how much it gets your senses going, how quickly and strongly it gets to your gut through your eyes, how quickly it makes you salivate with longing. Our senses, our urges, all our various bodily desires that can be aroused have extremely vague boundaries, they blur into one another. One thing that triggers hunger, if it’s got enough going for it, quite easily tickles a few sensors in the horny department and bam! You’ve got a naughty little piece of porcelain feeding you at the same time as getting you off, whilst all the time doing nothing but sitting there quietly. Coquettish, delicious inertness. That’s what I want to see from the things that emerge from my kiln. Armies of them, phalanxes of indescribably appetizing, delicately lustful, bright, yummy, scrumptious, gorgeous soldiers. Rank upon rank upon rank standing naughtily to attention. My very own Terracotta army fighting in perpetuity, not for beauty, not for my memory, but for deliciousness, delight, titillation and desire.

More me, me, me and me than I could ever be.

^MeMeMeMe Totems, Glazed Porcelain

Wednesday, 14 August 2013

Stepwell Whirl


99 Flake, heaven in a cone, twisted as it comes out the machine, white spiral of delight. Sexiest damn piece of food design in the history of everything, the Mr Whippy whirl. Thatcher's one and only, uncontestedly brilliant gift to the world. Bright like teeth in a ridiculously healthy smile, voluptuous and curvy like the most naughty things imaginable. They should make beds like that, doors, lamps, toilets, tables. In fact I will. In fact I did.

In India they have these step wells, their sides are just ranks and ranks of steps. Its because the water level changes so much that people sometimes need to go down fifteen metres or so to fill their buckets. They're weird, ancient, strange looking, the kind of thing that would look great in a fantasy film. In Fellini's brilliant camp-fest the 'Satyricon', he transforms this kind of setup into a multi-storey brothel, an uncanny inverted pyramid of carnal desire. Lurid, strange, ancient, vulgar, dirty, glorious. Pink. Red. Hot.


Sunday, 11 August 2013

Fire


God made Adam by baking earth in the fire of his breath. So he was basically a lone designer who came up with the concept of mankind and fabricated everything himself. With his fiery breath, and his mud, he was really like the first studio potter of them all.


I mean I was already essentially shooting off Adams left right and centre, printing them all over the place, imaterialise, shapeways. Selling loads too, online. But I was like God without his fiery breath. I was like a studio potter without a kiln. Everything that I could touch was made somewhere else. Well now there’s my laptop in front of me, and behind me I’ve got a kiln. I can breathe life into earth at the same time as breathing life into bytes. Bam! The setup’s complete: Laptop, Kiln, Candelabra, Urn, and a touch of genius. My objects, my daydreams, my minions shall inherit this earth.

^photo by Tanya Gomez

Saturday, 10 August 2013

Candelabra Urn


To celebrate his passing 30,000 followers on Tumblr he burned the letter his ex had left him the day she stormed out, outlining everything that was weird, obsessive and antisocial about him, and sealed it’s ashes in an urn he’d gotten printed, thereby forever laying to rest his nagging terror both of her potentially being right, and of his being forever alone.


As his online popularity grew, as he started to really get what people responded to in video, posts, tweets, pretty much any medium that came his way, he began to think of himself, sitting there at his laptop typing and clicking, as if he were just like Liberace at his piano, only way cooler. The only thing missing was the candelabra, some trademark scenography, which he promptly set about modelling, ordering, receiving, and sticking next to him on the desk so that it framed his face in all his new Vine and Youtube vids. In his head the stage was now set for world domination…



Sunday, 16 June 2013

Yantralection


Oh my god, the first collection is done: hashtag WANT. Seriously, if I got one of these, I think I would be happy for a few minutes, seriously, maybe even more, like an eternity 4 me, 4EVER; but you, if you got one, I know you follow instructions, like 2 the letter, perfect early-adopter that you are, you'll love yours endlessly, like a little car crash in your living room that you can't help constantly looking at, slowing your life down just 2 stare, little monstrous piece of kryptonite that it really is, instructions say "Immolate me in your gaze, and as I burn each time, you will be slightly more free". lol. Yeah, and eating Special K evry days gona turn me in2 Kate Moss. Still #want





ps, u can buy this stuff, in evil little limited editions (hey, the artist gotta live).
Contact me at adamnathanielfurman@gmail.com 4 more info.

Grrrr!


Friday, 7 June 2013

Yantrament


When we indulge in our daily practice of controlled distraction, we become more and more familiar with the labouring processes of our consciousness, and in particular we learn to recognize the unstoppable movement of the mind, the indefatigable energy of our being which we usually experience as feelings, unquestioned drives, nervousness, anxieties, but which here we can observe objectively as so many insubstantial thoughts, drifting past like thunder clouds on the horizon.

We do this by using an object of meditation to provide a contrast, a counterpoint to what is running through our head, an exterior reference point to which we can come back and through which we can regain a state of observation over ourselves. As soon as we go off and start thinking about something, losing ourselves in the worry of having not answered this or that email, or the unpleasant sensation of our muffin-tops pressing against the waistline of our trousers, awareness of the Yantrament will bring us back.



Tuesday, 21 May 2013

Yantralicious 01


Yantra
a two- or three-dimensional geometric composition used in sadhanas, or meditative rituals. It is thought to be the abode of the deity. Each yantra is unique and calls the deity into the presence of the practitioner through the elaborate symbolic geometric designs.

Delicious
1) very appealing to the senses, esp to the taste or smell 2) extremely enjoyable or entertaining
Origin, C13: from Old French, from Late Latin dēliciōsus, from Latin dēliciae delights, charms, from dēlicere to entice; see delight